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In this drawing, Paul used a jagged edge to outline his black figures as well as free pencil lines running throughout the image and into the margins, giving an overall effect of nervous energy. Keying off the title of the work and the figure in the upper left, you could take this work as a loving tribute to the artist's father, who was a sanitation worker in Brooklyn, NY, and here pushes a broom. The black constructs that run down the lower half… of the picture could be battle ships. As a boy, the artist enjoyed WWII movies at the theater with Pop, where he ate his favorite candy, Good and Plenty, which floats delicately over the picture.
Manhattan artist Paul Spina (1937-2017) was a masterful painter and visual artist with a BFA from Pratt Institute in Brooklyn. He drew on a rich background steeped in both commercial illustration and fine art exhibitions across major American cities. He employed strong draftsmanship, vivid color, dramatic perspective, expressive line, and found objects, blending influences from Rembrandt to Pollock—his work bursts with movement and biting visual harmony, often overlaying personal iconography. His paintings channel intense emotion and personal history, inviting viewers to experience the complexity of joy, loss, and outrage, and challenging them to confront complacency and the darker truths lurking beneath society’s surface.
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Sept Pop 589-8251
Paul Spina
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