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GOLFARIANE is a solid of revolution, with a diameter of 35.8 cm, made up of 160 golf balls. The corresponding homothety has a ratio of 8.4.
The relative position of the balls is slightly random, because the surface of a sphere is not developable.
During assembly, a phenomenon comparable to the non-laminar flow of a fluid occurs: an inevitable dislocation of the balls between them.
The structure is self-supporting and constitutes a perfect exoskeleton.…
The rather regular and periodic mesh of the interconnected balls, allows voids, through which the light escapes and creates a continuous illumination of colors, according to the visible light spectrum, which pixelizes the environment of the work.
Philippe Fares, uses once again, an ordered and iterative law of composition, which allows him to approach the perfect sphere, essential figure of his plastic preoccupation.
This similar self sculpture, can be categorized in the Fractal Art group.
Philippe Fares is a contemporary French artist whose career has been profoundly shaped by the diversity of cultures and the interaction of art and science. His unique perspective, sharpened by a childhood spent in sub-Saharan Africa, is a testament to his early exposure to the art world, particularly to the influence of primitive arts. Returning to France at the age of 16, Philippe embarked on a path that allowed him to cultivate his understanding of Western arts while pursuing scientific studies.
Philippe Fares’ artworks are meticulously constructed using scientific methods and careful planning. His creations often feature a recurring tiling pattern, a meticulously balanced play with chance. This synthesis of meticulous design and the unpredictability of chance gives his works a dynamic and intriguing quality.