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It is a geometric solid, representing an aluminum tube curved at 540°, which, unlike the torus, does not close on itself.
Secondly, Philippe Fares pixelated the object with ten remote-controlled blue electroluminescent lamps. In perfect harmony with the monochrome appearance of the object, these resonate with the shine of the metal.
As we can see, the sculpture has been invaded by a colony of ants, over its entire surface. This sudden invasion… is perhaps a response to the noise of the operation of what could be a Francis turbine.
From an artistic angle, the design of the work is based on flexible and rounded shapes. The chosen metal remains consistent with the coldness of the lighting and the functional considerations of the object are suggested.
Philippe Fares is a contemporary French artist whose career has been profoundly shaped by the diversity of cultures and the interaction of art and science. His unique perspective, sharpened by a childhood spent in sub-Saharan Africa, is a testament to his early exposure to the art world, particularly to the influence of primitive arts. Returning to France at the age of 16, Philippe embarked on a path that allowed him to cultivate his understanding of Western arts while pursuing scientific studies.
Philippe Fares’ artworks are meticulously constructed using scientific methods and careful planning. His creations often feature a recurring tiling pattern, a meticulously balanced play with chance. This synthesis of meticulous design and the unpredictability of chance gives his works a dynamic and intriguing quality.