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This work is a continuation of my exploration of our relationship to our environment. This project focuses on the Venus of Willendorf as the metaphorical figure and container for our planet. The figurine is 10 cm tall and was found in 1908. It is estimated that it was made in 24,000 BCE and is thought to be a representation of fertility. It has been seen a symbol for mother earth.
Although we are increasingly aware of our environment, we continue… to exploit and damage it incredibly. This Venus made from resin and computer parts refers to technological
consumption.
Pierre Leichner, with a background rooted in both medicine and fine art, works across sculpture, painting, installation, BioArt, and video, blending scientific inquiry with poetic sensibility. His technique embraces organic materials, layered abstraction, and time-based processes, often inviting natural phenomena as collaborators. Playfulness and surprise give way to deeper ecological and socio-political meaning through engaging participatory works. Pierre’s art evokes vulnerability and resilience while inspiring reflection and a profound sense of interconnection between humanity, nature, and community.