Black every day
Digital on Plexiglas
31x31in
$2,600
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Sar la Rouge
South Africa
Artist highlights
- New Online
- Works on commission
Discover the creation in interiors
Other artworks by Sar la Rouge
Artwork details
- Medium : Digital on Plexiglas , Plexiglass
- Framing : Framed
- Dimensions : 31.5x19.7in
- Edition : 3 / 3
- Artist's proof : 3
About this artwork
In Back is beautiful Sar La Rouge isolates the Black male back as both monument and surface. The body appears sculptural, almost unreal polished, amplified, and framed like an object of admiration. By removing the face and identity, the work shifts attention to how the body is read, consumed, and projected onto.
The exaggerated musculature and glossy texture echo advertising aesthetics, where strength and perfection are staged and repeated. Yet… here, that same visual language becomes uneasy. The viewer is caught between fascination and distance, admiration and objectification.
The hand-drawn frame disrupts this illusion of perfection, reintroducing gesture, imperfection, and authorship. It suggests that what we see is constructed layered, edited, and mediated.
Through this tension, the work questions: when does admiration become reduction? And what remains of identity when the body is turned into an image ?
The exaggerated musculature and glossy texture echo advertising aesthetics, where strength and perfection are staged and repeated. Yet… here, that same visual language becomes uneasy. The viewer is caught between fascination and distance, admiration and objectification.
The hand-drawn frame disrupts this illusion of perfection, reintroducing gesture, imperfection, and authorship. It suggests that what we see is constructed layered, edited, and mediated.
Through this tension, the work questions: when does admiration become reduction? And what remains of identity when the body is turned into an image ?
Sar la Rouge
South Africa
Artist highlights
-
New Online
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Credentials
- Works on commission
I’m Sar La Rouge, a Franco-Togolese digital artist working at the intersection of photography, collage, and emerging technologies. Based in Cape Town for over a decade, I’ve developed a visual language where digital images and physical forms interact, questioning how images circulate, how they are consumed, and how they shape our identities.
Self-taught, my work grows from a personal archive of photographs that I transform through digital collage into layered, poetic compositions. I see my practice as a form of “digital folk art”: intuitive, fluid, and constantly evolving.
I explore themes of feminism, technology, and politics, reflecting the tensions of contemporary life. Starting from the personal, my work expands into more universal narratives of resilience and awareness.
Today, I extend my practice into physical prints, while also working with video and AI. For me, the digital space remains an open field of experimentation, without boundaries.
Self-taught, my work grows from a personal archive of photographs that I transform through digital collage into layered, poetic compositions. I see my practice as a form of “digital folk art”: intuitive, fluid, and constantly evolving.
I explore themes of feminism, technology, and politics, reflecting the tensions of contemporary life. Starting from the personal, my work expands into more universal narratives of resilience and awareness.
Today, I extend my practice into physical prints, while also working with video and AI. For me, the digital space remains an open field of experimentation, without boundaries.
Sar la Rouge
Back is beautiful
$2,500
