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Developing my one-line work further: The line leaves the canvas and becomes aluminum wire – raw, unruly, yet precisely malleable. I shape it at the pace of my hand, allowing chance and the subconscious to play a part. The aluminum supports the structure; tin, formed from solder wire, lies over it like a skin. The mix of materials – matte aluminum and the denser, slightly glossy tin surface – reflects the light differently and enhances the spatial… effect. Mounted on the wall, the light casts a second version of the face as a fleeting shadow in the room. Tempus fugit – time slips away, the image remains in motion.
Sergio Oliveira works with photography, painting, drawing, and digital media; his background in communication design and his international exhibition experience shape his work. His technique combines analog materiality with experimental digital approaches, whereby layering, fragmentation, and structured lines create an ambivalent, simultaneously raw and precise visual language. His works invite viewers to explore personal and universal emotions and, with the deeply felt beauty of melancholy, evoke spaces of resonance between past, present, and a hopeful future.
COCON° – an ongoing series between network of lines and figure; drawing, painting and wire sculpture intertwine.