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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
23.6x27.6in
About this artwork
Work done with mixed media (AI, acrylic, airbrush and oil), finalist in the ARTBOX.PROJECT Zurich 7.0.
In this piece, two realities confront each other: the geometric purity of a white, orderly, and aspirational architecture, versus the signs of the fragile and the human—a caravan and a clothesline.
The scene does not describe a specific place, but rather a metaphor for contemporary living: the ideal of perfection and control is interrupted by… domestic gestures that reveal the vulnerability of existence.
The water, contained and artificial, alludes to both well-being and the appropriation of an essential good. The absence of figures does not imply emptiness: it is a space of projection, where the viewer symbolically inhabits the tension between luxury and precariousness.
ESSENTIA I inaugurates the series and defines its language: a territory where light, matter, and technology dialogue to question posthuman architecture and its relationship with the essentially human.
I am a visual artist and art teacher. My work is part of the ESSENTIA project, an investigation into the foundations of human existence and the structures that mediate our relationship with the environment.
In this context, the ESSENTIA series forms the core of my practice. Through an architectural and minimalist pictorial language, I explore light, silence, and space as conceptual material. These compositions, dominated by whites and blues, question human presence through its absence.
My process, a hybrid of digital and manual techniques, is situated within posthumanist thought: the work emerges as an organism that integrates technology, matter, and consciousness. ESSENTIA reflects on the human condition, contemporary living, and the search for balance between control, displacement, and vulnerability.