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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
23.6x23.6in
About this artwork
ESSENTIA XI was born from a revelation: before this immaculate house, the pool, and the understated architecture, there was a line of trees. They were cut down to build this space, but their presence remains as a shadow. That shadow is not decorative: it is memory, a trace, and the survival of the essential even when we physically remove it.
For a long time I thought perfection could be built, that control was the goal. ESSENTIA XI forced me to… rethink that. Nature existed before our constructions and will continue to exist afterward.
We are not the center; we are part of something larger. This understanding aligns with the series' posthumanist vision: harmony doesn't arise from replacing nature with architecture, but from learning to coexist with it. Is this balance possible?
Rigorous geometry expresses our desire for control; the freer sky reminds us of that which we can never master. ESSENTIA XI is an invitation to return to the essential.
I am a visual artist and art teacher. My work is part of the ESSENTIA project, an investigation into the foundations of human existence and the structures that mediate our relationship with the environment.
In this context, the ESSENTIA series forms the core of my practice. Through an architectural and minimalist pictorial language, I explore light, silence, and space as conceptual material. These compositions, dominated by whites and blues, question human presence through its absence.
My process, a hybrid of digital and manual techniques, is situated within posthumanist thought: the work emerges as an organism that integrates technology, matter, and consciousness. ESSENTIA reflects on the human condition, contemporary living, and the search for balance between control, displacement, and vulnerability.
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ESSENTIA XI
Toni Bennasar
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