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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
23.6x23.6in
About this artwork
This work continues the series' investigation into posthumanism understood as a visual ethic: it focuses not on the human figure, but on what remains when it disappears. Architecture, water, and nature do not act as mere scenery, but as agents that construct identity and memory.
The work subtly introduces the presence of the forest onto the wall—trees that were there before the house was built. It doesn't represent an exterior landscape, but rather… a memory inscribed on the architectural surface. It is nature remembered, not observed; a trace that persists even within a built environment.
ESSENTIA XI and ESSENTIA XII place architecture at the heart of dwelling, nature as the memory of being, and absence as the condition that activates the sense of space. Both works propose that identity does not depend on the represented body, but on the dialogue between matter, light, time, and the relationship with nature. Is a balance between human and nature possible?
I am a visual artist and art teacher. My work is part of the ESSENTIA project, an investigation into the foundations of human existence and the structures that mediate our relationship with the environment.
In this context, the ESSENTIA series forms the core of my practice. Through an architectural and minimalist pictorial language, I explore light, silence, and space as conceptual material. These compositions, dominated by whites and blues, question human presence through its absence.
My process, a hybrid of digital and manual techniques, is situated within posthumanist thought: the work emerges as an organism that integrates technology, matter, and consciousness. ESSENTIA reflects on the human condition, contemporary living, and the search for balance between control, displacement, and vulnerability.
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ESSENTIA XII
Toni Bennasar
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