You love this artwork, but it’s already been sold?
Good news! This artist conducts commissioned work. They can create a custom-made artwork for you, inspired by what you liked about the previous piece. You choose the dimensions and we negotiate the price!
Thank you very much for your interest!
Your message has been sent successfully! We will get back to you very soon.
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
37.4x37.4in
About this artwork
I work from the tension between perfection and fragility. In ESSENTIA IV, the white architecture, the pool, and the sky create an atmosphere of order and visual calm. However, this harmony is disrupted by the presence of a caravan: a foreign body that introduces displacement, life, and a subtle discomfort.
I'm interested in how beauty can also be a trap. The clean, luminous scene reveals a posthuman architecture: a space designed for technical perfection,… but where humanity appears only as a trace or residue. The absence of human figures is not an absence of life: the viewer occupies that void, confronting their own desire for control and their fragility in the face of artificiality.
From a pictorial perspective, I combine digital precision and manual intervention—airbrush and acrylic—to restore physicality and presence to an image born from an algorithm. In this dialogue between machine and gesture, painting becomes an act of resistance and rehumanization.
I am a visual artist and art teacher. My work is part of the ESSENTIA project, an investigation into the foundations of human existence and the structures that mediate our relationship with the environment.
In this context, the ESSENTIA series forms the core of my practice. Through an architectural and minimalist pictorial language, I explore light, silence, and space as conceptual material. These compositions, dominated by whites and blues, question human presence through its absence.
My process, a hybrid of digital and manual techniques, is situated within posthumanist thought: the work emerges as an organism that integrates technology, matter, and consciousness. ESSENTIA reflects on the human condition, contemporary living, and the search for balance between control, displacement, and vulnerability.