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Other details :
Unmounted artwork. Mounting and/or framing available on request.
Dimensions :
17.5x20.1in
About this artwork
Two forms in parallel.
Concurrent
two worlds.
There is a certain incompleteness to this work. It appears sketchy. The composition
has an abstract feel, but at the same time leaves room for associations.
What you see are two forms that stand parallel to each other and whose open lines suggest a kind of dialogue.
The composition appears warm, calm, and concentrated. At the same time, the image radiates a certain enigma,
because no concrete… objects are recognizable and that is exactly what makes it interesting,
because it can arouse curiosity and every viewer can search for clues with their own interpretations.
The forms seem to symbolize a transition. The artist plays with the idea of thresholds or transitions,
without clearly defining them. This leaves the viewer plenty of room for their own perspectives
and thus allows him to participate in the creative process.
« When I'm in the process, I do not think. I let the process guide me. »
The German artist Uwe Beyer, born in 1959, lives in Coswig, near Dresden, and in Düsseldorf. He studied at the Burg Giebichenstein University of Art and Design in Halle (1988–1993). Uwe Beyer's paintings emerge more from mindfulness than from control. The material is allowed to move, resist, and settle. Form is not imposed but develops organically—stabilizing briefly before dissolving back into openness. Each work exists in a tension between presence and withdrawal, density and emptiness. It exists as a self-contained object while simultaneously eluding complete visibility. Instead of composing images, his practice creates the conditions for their emergence. These paintings do not represent the world. They reveal the conditions under which form – and thus reality – comes into being. What remains is not an image, but a trace of becoming.
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Uwe Beyer
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