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The Melody machine No. II. or 'Per speculum in aenigmate...' is also an automatic music machine, which uses a melodion - as its core instrument - for which I used the ancient method of the control cylinder (the same mechanic principle which was used in hidraulic organs of ancient times or carillons in mediaeval times and also the popular music boxes of today) mechanism, and there's also a mysterious
'mirror-painting'...
Zsuzsa Sztruhár, a Hungarian fine artist and composer, employs a diverse range of mediums, from painting to sound and kinetic sculpture. Her dynamic applications of metaphysical and ontological conceptualism, blended with traditional painting and sound installation, underscore her technique. Each piece of work, whether it's an interactive sound instrument or an audiovisual installation, encapsulates a tangible heterogeneity. Sztruhár's works embody a mysterious borderline between fine arts and music, stirring emotions associated with the complexity of life's spiritual journey and the poignant beauty of the universe.