A curation by Natalie Slater, Curator at Singulart - This curatorial selection considers the productive tension between stability and disruption. Across painting, collage, and sculpture, concrete-like fields, slate surfaces, and structured grounds are interrupted by elements that initially read as out of place: a sharp mark, a sudden band of color, an inserted geometric form, or a material that appears to resist the logic of its support. What makes these works compelling is not contrast alone, but the precision of their imbalance. Each composition introduces a form of visual friction—copied, suspended, stitched, or abruptly placed—yet never tips into discord. Instead, the interruption clarifies the structure around it, sharpening the relationship between weight and delicacy, permanence and gesture, surface and incision. This tension extends materially throughout the selection. In the sculptural works, stone-like forms are held by rope or suspended through slender linear supports, creating a quiet but palpable resistance between mass and fragility. That same sensibility runs through the two-dimensional works, where fields of gray, slate, and concrete are activated by marks and color that feel both foreign and inevitable. Rather than resolving opposition, these works depend on it. Their balance is achieved through interruption.