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This image is composed from the multiplicity of spaces, where the left side is full of graphics that can be reinterpreted a thousand times by the viewer, while the right side supports the action, showing a worn wall in which a strip of silver leaf and black oil paint are incorporated, which act as pillars of the action, allowing the visual action to be balanced.
The small format of this piece makes the colors, shapes, textures and graphics immediately… penetrate the eye, causing the viewer to initially receive a cluster of stimuli that gradually soften and allow the observer to explore it and give it its meaning.
David San Francisco, PhD in Fine Arts, primarily uses oil, acrylic, resins, waxes, colored pencils, and metals, merging his academic and teaching background with his artistic practice. His technique explores ambiguous abstraction, employing the subtraction and addition of materials to create geometric compositions that engage the viewer, inviting them to assign personal meaning to each work. His paintings evoke an emotional and cognitive transformation, prompting a continuous reinterpretation and renewal of the viewer's visual memory.