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I have built a camera the shape of which resembles the selected geometrically shaped monument in the formal country of Yugoslavia and whose size allows for the 8x10 inch cut sheet film that I wish to work with to properly fit inside the three-dimensional geometric forms. The resulting cameras operate according to the camera obscura method, but capture images simultaneously in 360 degrees on the entire inner wall of the forms that make up the given… geometric body. The resulting photograph assumes its final format when it is spread out on a two-dimensional plane. The complex system of images in this difficult-to-access format further abstracts an already abstract object. The thus created images appear not as an interpretation but as a deconstruction of the geometric body and the metaphoric meanings. The question is how the relationships of various aspects change their trajectory by this bizarre reflection and whether deconstruction can be a projection of newly found reconstruction.
Gabor Osz is a painter, photographer, printmaker, and conceptual artist with extensive training from the Art Academy Budapest and the Rijksakademie, Amsterdam. She masterfully harnesses light as her primary medium, using both analog and digital processes, including camera obscura and experimental techniques, to deconstruct and rebuild the nature of images. Her interdisciplinary approach produces evocative works that invite viewers to reflect on perception, time, and the very existence of reality, imbuing each artwork with a profound sense of philosophical inquiry and wonder.