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Medium :
Digital on Fabric , Alu-Dibond under plexiglas
Framing :
Framed
Dimensions :
23.6x35.4in
Edition :
3 / 3
Artist's proof :
2
About this artwork
The common origin of 'nothing' and 'everything’ provides the starting point for Tautology: The white screen.
In the initial scene of the film the images that are projected on three walls of a room issue from three digital projectors, rather than one. The increased number of projectors is in reference to the spatial dimension bounded by planes, as well as to the visual and spatial relationships accumulated by the recordings. By virtue of the fact… that each of the walls shown in the film also serves as a projection surface, and in consequence to our ability to shift our gaze from one projection surface to the next, a more complex relationship develops about the connection between space and picture. The illusion of the encompassing space filters into the encoded white squares, creating a tautological sign, in which the picture of the film shows the place of the recorded image in space.
Gabor Osz is a painter, photographer, printmaker, and conceptual artist with extensive training from the Art Academy Budapest and the Rijksakademie, Amsterdam. She masterfully harnesses light as her primary medium, using both analog and digital processes, including camera obscura and experimental techniques, to deconstruct and rebuild the nature of images. Her interdisciplinary approach produces evocative works that invite viewers to reflect on perception, time, and the very existence of reality, imbuing each artwork with a profound sense of philosophical inquiry and wonder.