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This work is constructed through a sequence of juxtaposed chromatic fields, where green dominates as a field of balance and visual breathing. The color doesn't describe a recognizable landscape, but evokes its internal rhythm, made up of stratifications, pauses, and tonal variations.
The painted surface is dense and textured: each layer retains the traces of the gesture, making the time of construction visible. The rectangular shapes are organized… into an orderly but not rigid structure, suggesting a composition born from listening to the color rather than from a preliminary drawing.
The work conveys a sense of calm and depth, inviting slow, contemplative viewing. It's a painting that engages with space, capable of fitting naturally into a contemporary setting without sacrificing a strong visual presence.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.