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In this mixed-media work, I was particularly interested in the tension between figuration and abstraction. In "Shadow Tiger," I played with different layers: dense, almost wild structures in the background and a clearer, more graphic presence in the foreground.
I was fascinated by the moment the tiger emerges from the darkness – half visible, half shadow. The warm rust tones and the bold black lend the body an inner movement, while the surroundings… remain raw, free, and fragmented.
“Shadow Tiger” arose from a search for both strength and stillness. It is a work in which intuition and observation meet, and which, to this day, captures for me that fleeting moment when something wild emerges from the depths and fills the space for a breath.
« I paint the moment where movement and stillness touch – rooted in an inner rhythm, grown from the nature-bound vastness of my childhood. »
Time as an inner rhythm. For Judith Riemer, time is not a beat dictated from the outside. Her work follows her own pulse.
Becoming means organic change, growth and decay, condensation and dissolution. This principle shapes her pictorial structure. In her paintings, movement and stillness, surface and impulse, light and depth meet. Contrasts keep the image lively, rhythm runs through it diagonally and in a swinging motion.
Her works are inner places, born from time and becoming.