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Urbanity is not expressed here in the form of houses, streets, or city maps, but as a feeling, as an attitude. It is about temporariness, superimposition, and the assertion of identity in public space. The typical characteristics of urban aesthetics – repetition, decay, symbolism, visual overload – are reflected in an abstract form. The combination with the collage-like stripes creates a connection to urban art: the impression is created as if a… piece of wall – littered with tags, poster remnants, layers of paint – had been taken from the urban space and integrated into the work. This urbanity is not documented, but interpreted; it is not an illustration, but a reflection. The urban space is not the motif, but the texture, the mood, the memory. The work speaks a visual language that seems familiar and yet foreign at the same time – like a wall covered in tags that one sees every day but never really reads. Can you spot the little heart in the motif?
For Katharina Stegmeier, art is far more than decoration—it is both a message and a skill. As a child, she drew diaries before she could write, thus developing her creative expressiveness early on. Her works reflect the ambivalences of our time, social issues, and the complexity of life.
In her works, she combines intense expressiveness with calm reflection, structure with freedom. Contrasts play a central role, often symbolized by the colorful "counterpoint," which acts as an anchor to maintain the balance of her compositions and underscore their messages.
Katharina Stegmeier's works invite you to slowly immerse yourself in them. Those who embrace their rhythm discover worlds between layering and transparency, between formal fragments and emotional imprints—works that linger long after the viewer has turned away.
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