Zeiggeist
Acrylic, Lacquer on Wood
37x29in
$2,530
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Lucas Stolz
Spain
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Lucas Stolz
Artwork details
- Medium : Acrylic, Spray Paint on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 20.9x34.6in
About this artwork
The title of this piece is a literal translation of the German Word "entgeistert" (shocked, speechless), which turns into Dis-ghosted. As I switch between languages, I sometimes find quirky word-combinations which work almost like a one-line poem.
This piece received its first layer in 2021 and was finished in March 2024. There are inks that bled through fresh coverings of white gesso, there are reliefs of at least 5 different self-made tools I… used to write with over the years.
Disghosted is painted with special a technique that lets the colours shift as you look on from different angles. The piece never stays the same.
The title of this series is a play on the German word “Zeitgeist,” which refers to a way of thinking that is symbolic for a moment in time. “Zeig,” (to show), combined with “Geist,” (ghost/spirit), could be interpreted as the "spirit of showing (time)". At its heart, the series is about showing the evolution of the work with time.
This piece received its first layer in 2021 and was finished in March 2024. There are inks that bled through fresh coverings of white gesso, there are reliefs of at least 5 different self-made tools I… used to write with over the years.
Disghosted is painted with special a technique that lets the colours shift as you look on from different angles. The piece never stays the same.
The title of this series is a play on the German word “Zeitgeist,” which refers to a way of thinking that is symbolic for a moment in time. “Zeig,” (to show), combined with “Geist,” (ghost/spirit), could be interpreted as the "spirit of showing (time)". At its heart, the series is about showing the evolution of the work with time.
Lucas Stolz
Spain
Credentials
- Featured in gallery curations
- Works on commission
Lucas Stolz (*1985 in Basel, Switzerland) understands calligraphy as a painterly act. Writing as a developmental process for images in which words dissolve, signs as traces of a body that writes, where it could also paint.
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
Lucas Stolz
Inkling
$2,120
