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In the manner of divisionism, Philippe Fares used lancets of different colors to cover the surface of a cement sphere, twenty-five centimeters in diameter.
The tight, random and regular distribution of these makes it possible to obtain an effect of continuity between the colors, depending on the distance from which the object is observed.
The manufacturing principle is identical to the 3-Sphères work. This involves organizing colored points classified… into seven categories extremely closely. These correspond to the main ranges of the visible spectrum of sunlight.
In a way, this process can evoke the technique of pointillism, initiated by Georges Seurat, but applied here, in three dimensions.
The colored points, thus assembled, cannot be discerned individually beyond a certain distance. They blend optically into each other.
Philippe Fares is a contemporary French artist whose career has been profoundly shaped by the diversity of cultures and the interaction of art and science. His unique perspective, sharpened by a childhood spent in sub-Saharan Africa, is a testament to his early exposure to the art world, particularly to the influence of primitive arts. Returning to France at the age of 16, Philippe embarked on a path that allowed him to cultivate his understanding of Western arts while pursuing scientific studies.
Philippe Fares’ artworks are meticulously constructed using scientific methods and careful planning. His creations often feature a recurring tiling pattern, a meticulously balanced play with chance. This synthesis of meticulous design and the unpredictability of chance gives his works a dynamic and intriguing quality.