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Medium :
Acrylic, Cement on Synthetic board , Other rigid frame
Framing :
Framed
Dimensions :
49.5x51in
About this artwork
In Opus V: Full Circle, I explore the idea of completion through fragmentation—the notion that wholeness often emerges from fracture. The circular form anchors the composition, suggesting unity amid disruption, while the layered textures and intersecting planes trace a dialogue between structure and chance. This piece marks a return to earlier impulses in my work but reinterprets them through a new level of balance and renewal.
William Hall, an American painter and sculptor with a background in experimental art and formal training at the University of Texas, melds painting and sculptural techniques into striking “wall reliefs.” He works primarily with masonry materials—cement, grout, mortar, plaster—invoking the tactile quality of earth itself, often employing casting, pouring, polishing, and acid staining for infinite textures. Inspired by the raw mechanics of the natural world and his Native American heritage, he seeks to evoke awe, inviting the viewer to experience the meditative surrender and serendipity present in his artistic process.