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This is another piece from the ''Urbanscapes'' cycle. At this point I was feeling very comfortable and playful with the materials I was working with. My comfort with assemblages and constructions themselves was allowing me to seek out the pictures within the found object arrangements. This one bursted out with a glaring graffiti face. The process always started with first collaging the found materials. Then, these materials were fastened permenantly… onto the wooden panels. After that, the surface would be prepared for concrete, and I would pour it out in considerable amounts. As it began to dry, I would begin with my interventions, scratchings, writing/drawing into the cement. At some point, the painting would commence as well.
Ivan Jovanovic oRSoF, a Serbian-Canadian painter, printmaker, and visual artist with a rich background in fine arts and filmmaking, thrives on the interplay between direct observation and inventive material application. He embraces an expressive, figurative style—infusing thick impasto, raw industrial materials, and found objects—using gestural techniques inspired by the likes of Van Gogh, Auerbach, and Kiefer. His works pulse with kinetic energy, capturing the vibrancy, turbulence, and contemplative depths of urban and natural landscapes, ultimately inviting the viewer to experience the raw, immediate power of artistic discovery.