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In this work, Serbutt turns to the banana plant as a symbol of abundance, fragility, and everyday ritual. A vintage botanical illustration is interrupted and reframed by sharp bands of colour and measured graphic elements, creating a dialogue between organic growth and human systems of organisation.
The composition balances warmth and structure: ochres and greens echo the natural subject, while flashes of orange, pink and white introduce a contemporary,… almost coded language. Lines, arrows, and fragments suggest processes of distribution, consumption and classification – quietly pointing to the global journey of something so familiar.
Here, nature is both celebrated and dissected. The banana becomes more than fruit; it is a marker of connection, labour and exchange. Through layered textures and controlled geometry, Serbutt invites us to reconsider the overlooked – finding rhythm, tension, and meaning in the everyday cycles that sustain us.
Ben Serbutt, trained in graphic and editorial design, crafts evocative hand-cut paper collages drawing from printed ephemera, botanical illustrations, geometry, and typographic fragments. His technique is resolutely analogue, layering elements intimately tethered to the rhythms of daily, domestic life, and allowing torn edges and happy accidents to guide composition. His works hum with tension and negotiation between organic and technological worlds, celebrating resistance to perfection and the value of creative friction. Serbutt’s art tenderly conveys the bittersweet complexity of modern existence, urging viewers to honor slowness, imperfection, and the irreducible messiness of being human.
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Yellow Stone
Ben Serbutt
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