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I was attracted by the relative smartness of this door which clearly leads to more than one venture within. The brass plate suggests professional inhabitants, but the shapes of the ironwork are in many ways the most interesting thing about the door. Electrical supply in Venice clearly can't go underground so it's very evident, draped across the top of the door. While we 'earth dwellers' might think that unsightly if it happened in our terrestrial… environment, here it is quite obviously inevitable.
Kate Lloyd is a photographer trained under acclaimed artists, most notably Jonathan Chritchley of Ocean Capture. She employs abstract and verismo styles, using multiple exposures to transform images of horses, water, and Venetian scenes into vibrant compositions, often presented as acrylics or luxury silk scarves. Her work radiates a profound appreciation for the untamed spirit of horses and the luminous mystery of water, evoking both tranquility and wonder.