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Early on, I resisted preconceived ideas, allowing my artwork to evolve organically during the creative process. I learned to put my art heroes on the shelf. I admired Andrew Wyeth’s draftsmanship, Jasper Johns’ approach to painting, and Marcel Duchamp's revolutionary accomplishments.
I wanted to develop my own art out of curiosity. Any time I felt the influence of any heroes, I would steer away. My subject matter for Azalea comes from walking… and driving in my local surroundings. I don’t search for them. I don’t sit and try to think about ideas for my artwork. The ideas present themselves as a collection of quick snapshots or sketches that recur often enough to capture my attention.
With more experience, I would imagine making the picture in my mind. I could see it developing. When actually making the art, the process would suggest additional impulses. This is why I don’t know what the work looks like until it is finished. You could say I am always working on an artwork
Michael Eugene Katz is a pioneering digital visual artist with deep roots in traditional analog media, drawing on a rich educational background and decades of experience. He combines painting, printmaking, and photography with software and digital tools.
His technique uniquely blends digital versions of traditional media with cutting-edge digital methods, defined by a spirit of experimentation and reasoning that pushes beyond the ineffable, resulting in works that resist verbal explanation. Katz’s creations evoke wonder and contemplation, inviting viewers to perceive the ineffable and encouraging personal reflection beyond the limits of language.
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