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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
15.7x15.7in
About this artwork
This work depicts the tension and grotesque absurdity of power through emblematic figures, in a realistic figurative style that captures the energy and conflict. It was 2018, the era of the first Trump administration. Amid nuclear tests and various provocations, Kim Jong-un the Korean seemed to be challenging US omnipotence. I immediately saw a street urchin Kim running away with his little atomic bomb, mocking an enraged Trump who was about to throw… a USBomb at him, as until recently people used to throw stones to scare away thieves and naughty kids, perhaps accompanied by a cry of "Who dies?" The delightful little scene is unique. The dual portrait is accurate and insightful in capturing the protagonists' expressions and the psychology of the scene. The symbolism of nuclear weapons, toys in the hands of reckless bullies, highlights the fragility of human relationships within the political theater and the danger to humanity as a whole.
I was born in Italy in 1954. In Naples in the 1970s, amid university and social unrest, I worked as a cartoonist for trade union publications, but it was in Potenza in the 1980s that I began my journey into color, always with a figurative-realistic spirit. Since 1996, I've been in Naples and joined Esasperatismo, an artistic movement with which I participated in international events. In 2011, I moved permanently to Basilicata and rediscovered sculpture through my ceramicist friends. It's an old love, always postponed, but one I can now focus on. Now, in my final years, when urgency and ambition give way to idealistic values, I dedicate myself to my work calmly, taking care of the preparatory stages and taking all the time necessary to solidify ideas and concepts. And some may already recognize my signature in this. I live in Basilicata and work only on projects and commissions that deserve my attention and commitment. When I can, I honor artistic events everywhere.