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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
31.5x23.6in
About this artwork
This painting is inspired by the most popular sacred iconography, the so-called holy cards. It is a form of fusion between the perfection of the sacred and the degeneration of the earthly human. The maternal figure, a symbol of protection, guards the child blessing humanity and civilization, protected by a gas mask from the pollution suffocating the planet, and who in turn places his saving hand on the world. It is the last hope against the destructive… madness of limitless human greed. The realism and intense colors convey a powerful message of awareness and urgency, transforming the work into a visual prayer that invites us to think and act quickly. The work was presented as an installation at the Provincial Archaeological Museum of Potenza from December 18 to 30, 2025, during the exhibition Hybrida - the concept of antithesis.
I was born in Italy in 1954. In Naples in the 1970s, amid university life and social unrest, I worked as a cartoonist for trade union publications. In Potenza in the 1980s, I began my journey into color, with a figurative-realistic spirit. In 1996, back in Naples, I joined Esasperatismo, an artistic movement with which I participated in international events. In 2011, I settled in Basilicata and resumed sculpture, spending time with ceramicist friends. I work only on commission, on funded projects of any nature and size. The rest of my time is spent contemplating, inventing, thinking, and teaching. I ignore all that is banal and mentally taxing. I love living in Basilicata, where time and haste are strictly forbidden, and when I can, I celebrate events everywhere.