Spirit Gates
Acrylic on Wood
36x36in
$3,000
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Richard White
United States
Don't delay, there is 1 collector who is also interested in this work
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Richard White
Artwork details
- Medium : Acrylic, Pencil on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 46x46in
About this artwork
In Field of Consciousness, I am exploring the moment where perception gathers—where experience moves from openness toward focus.
The concentric rings suggest resonance rather than destination, like awareness radiating inward and outward at the same time. The sharp, angular forms cut through the field as moments of attention—decisions, insights, or interruptions—while the softer marks and drips remain as traces of movement, memory, and time passing.…
I am interested in the space between control and surrender. The geometry feels deliberate, yet it is held within an unstable, shifting ground. For me, this reflects consciousness itself: structured, yet never fixed; coherent, yet always in motion.
The work does not point to an answer or a center to be reached. Instead, it invites the viewer to notice their own act of seeing—to feel how awareness organizes itself in the presence of color, line, and space.
This painting lives in that threshold where observation becomes experience.
The concentric rings suggest resonance rather than destination, like awareness radiating inward and outward at the same time. The sharp, angular forms cut through the field as moments of attention—decisions, insights, or interruptions—while the softer marks and drips remain as traces of movement, memory, and time passing.…
I am interested in the space between control and surrender. The geometry feels deliberate, yet it is held within an unstable, shifting ground. For me, this reflects consciousness itself: structured, yet never fixed; coherent, yet always in motion.
The work does not point to an answer or a center to be reached. Instead, it invites the viewer to notice their own act of seeing—to feel how awareness organizes itself in the presence of color, line, and space.
This painting lives in that threshold where observation becomes experience.
Richard White
United States
Credentials
- Featured in gallery curations
- Works on commission
I am a painter and photographer whose work grows out of a long engagement with sculpture, art history, and arts education across diverse cultural contexts. My practice is process-based, shaped by layering, erasure, and restraint, allowing each surface to evolve through time rather than resolve quickly.
Working within abstraction, I draw from abstract expressionism, minimalism, and conceptual traditions. I am also a writer and published author, and my visual and written work share a common inquiry into presence, silence, and the spaces where meaning is felt rather than explained.
I’m interested in the tension between gesture and stillness—how texture, negative space, and chromatic weight can function as active emotional forces. My paintings do not rely on narrative; instead, they invite moments of quiet connection and introspection, allowing viewers to pause and inhabit the interval between pressure and release
Working within abstraction, I draw from abstract expressionism, minimalism, and conceptual traditions. I am also a writer and published author, and my visual and written work share a common inquiry into presence, silence, and the spaces where meaning is felt rather than explained.
I’m interested in the tension between gesture and stillness—how texture, negative space, and chromatic weight can function as active emotional forces. My paintings do not rely on narrative; instead, they invite moments of quiet connection and introspection, allowing viewers to pause and inhabit the interval between pressure and release
Richard White
Field of Consciousness
$6,000
