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In Spirit Gates, I’m exploring passage as it appears in many Latin American ceremonial traditions—thresholds embedded in walls and sites of gathering that mark transitions of life, death, and renewal. The three yellow forms stand as symbolic gates, referencing ritual markers that signal movement from one state of being to another. They are held within a charged field of red, blue, and muted metallic tones, crossed by sweeping arcs and scraped gestures… that suggest memory, motion, and return. I’m interested in how repetition becomes rhythm, and how these forms function not as barriers, but as invitations to cross, pause, and transform. The acrylic front panel is mounted in the same manner as Synchronicity, creating a subtle spatial distance that allows light, shadow, and reflection to participate in the work, reinforcing the experience of threshold and passage.
I am a painter and photographer whose work grows out of a long engagement with sculpture, art history, and arts education across diverse cultural contexts. My practice is process-based, shaped by layering, erasure, and restraint, allowing each surface to evolve through time rather than resolve quickly.
Working within abstraction, I draw from abstract expressionism, minimalism, and conceptual traditions. I am also a writer and published author, and my visual and written work share a common inquiry into presence, silence, and the spaces where meaning is felt rather than explained.
I’m interested in the tension between gesture and stillness—how texture, negative space, and chromatic weight can function as active emotional forces. My paintings do not rely on narrative; instead, they invite moments of quiet connection and introspection, allowing viewers to pause and inhabit the interval between pressure and release