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In Journey of Lived Years, I’m reflecting on time as accumulation rather than sequence. The folding panels create a spatial rhythm, allowing the work to unfold slowly, much like memory itself. Marks, fragments, and gestures move horizontally across the surface, passing through each panel as traces of experience—some deliberate, others unresolved. I’m interested in how life is carried forward not as a single narrative, but as layers of presence, interruption,… and return. The format invites movement around the piece, encouraging the viewer to encounter time as lived rather than measured, where meaning emerges through passage and attention.
I am a painter and photographer whose work grows out of a long engagement with sculpture, art history, and arts education across diverse cultural contexts. My practice is process-based, shaped by layering, erasure, and restraint, allowing each surface to evolve through time rather than resolve quickly.
Working within abstraction, I draw from abstract expressionism, minimalism, and conceptual traditions. I am also a writer and published author, and my visual and written work share a common inquiry into presence, silence, and the spaces where meaning is felt rather than explained.
I’m interested in the tension between gesture and stillness—how texture, negative space, and chromatic weight can function as active emotional forces. My paintings do not rely on narrative; instead, they invite moments of quiet connection and introspection, allowing viewers to pause and inhabit the interval between pressure and release