Entangled Presure and Release
Acrylic, Sand on Canvas
66x62in
$10,000
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Richard White
United States
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Richard White
Artwork details
- Medium : Acrylic, Pencil on Paper
-
Framing :
Other rigid frame
under glass
Framed - Dimensions : 30x24in
About this artwork
I Saw It and Felt It (1977)
Mixed media, framed
Created in 1977, I Saw It and Felt Itand
The central red field functions as a held zone of intensity, bordered by darker edges that both contain and protect it. Evidence of touch, staining, and material absorption remains visible, allowing the surface to speak through residue and restraint rather than gesture or narrative.
Even at this formative stage, White resists illustration. Seeing and feeling… are presented as simultaneous acts, inseparable and non-hierarchical—an approach that would continue to shape his practice across decades.
— Lucien A.
Art Historian and Curator
Mixed media, framed
Created in 1977, I Saw It and Felt Itand
The central red field functions as a held zone of intensity, bordered by darker edges that both contain and protect it. Evidence of touch, staining, and material absorption remains visible, allowing the surface to speak through residue and restraint rather than gesture or narrative.
Even at this formative stage, White resists illustration. Seeing and feeling… are presented as simultaneous acts, inseparable and non-hierarchical—an approach that would continue to shape his practice across decades.
— Lucien A.
Art Historian and Curator
Richard White
United States
Credentials
- Featured in gallery curations
- Works on commission
I am a painter and photographer whose work grows out of a long engagement with sculpture, art history, and arts education across diverse cultural contexts. My practice is process-based, shaped by layering, erasure, and restraint, allowing each surface to evolve through time rather than resolve quickly.
Working within abstraction, I draw from abstract expressionism, minimalism, and conceptual traditions. I am also a writer and published author, and my visual and written work share a common inquiry into presence, silence, and the spaces where meaning is felt rather than explained.
I’m interested in the tension between gesture and stillness—how texture, negative space, and chromatic weight can function as active emotional forces. My paintings do not rely on narrative; instead, they invite moments of quiet connection and introspection, allowing viewers to pause and inhabit the interval between pressure and release
Working within abstraction, I draw from abstract expressionism, minimalism, and conceptual traditions. I am also a writer and published author, and my visual and written work share a common inquiry into presence, silence, and the spaces where meaning is felt rather than explained.
I’m interested in the tension between gesture and stillness—how texture, negative space, and chromatic weight can function as active emotional forces. My paintings do not rely on narrative; instead, they invite moments of quiet connection and introspection, allowing viewers to pause and inhabit the interval between pressure and release
Richard White
I Saw It and Felt It
$1,600
