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Medium :
Digital on Paper , Other rigid frame under plexiglas
Framing :
Framed
Dimensions :
27.6x19.7in
Edition :
1 / 5
About this artwork
The image evokes several overlapping art historical and aesthetic reference points:
*Constructivist visual languages, through the appearance of scaffolding, grid and supporting structure – the scaffolding does not appear as an object, but as a structural idea.
*abstract expressionism, provided that the painterly alienation, the digital "overpainting" and the dissolution of the photographic template create an emotional, non-representational effect.…
*Informal painting, when the framework is only present as a trace or memory of order, which dissolves in the process of abstraction.
*Digital abstraction / post-photography, since photography here is not documented, but serves as source material for a new, autonomous visual reality.
*urban metaphors of transformation, because the scaffolding symbolizes transition, incompleteness and becoming – less architecture than state.
The abstractly and painterly distorted scaffolding eventually dissolves from its functional meaning.
Stefan Görres is a painter, photographer, and digital artist; he uses digital painting based on photographs to artistically explore the mutability of our perception. His technique combines traditional painting with digital innovation, distorting everyday motifs and lighting situations and transforming them into new, surreal realities. His works play with illusion and reality and powerfully convey the emotion of constant change: "Nothing is as it was."