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I created The Space Between Mountains after standing before a horizon of hills on my home island of Skye that seemed to melt into one another — layer upon layer of deep, rolling blue. The light had almost gone, leaving just a glimmer over the highest ridges. What struck me most was the intensity of the colour — as though the entire landscape had been dipped in indigo and still shimmered with memory.
This piece is about mood as much as form. It’s… abstracted, almost dreamlike, with no sharp edges, only tone and texture. The hills undulate like waves under moonlight — silent, still, and saturated with emotion. It’s a colour-drenched composition, designed to evoke calm and quiet drama.
The artwork looks stunning on white walls, or above a navy blue or charcoal sofa — it’s the kind of piece that transforms a space, subtle yet striking.
There is a stillness at the heart of Lynne’s work—a reverence for atmosphere, for the fleeting and the eternal, held in delicate balance.
Working between fine art photography and abstract painting, her practice is rooted in the elemental language of sea, sky, and stone. Drawing deeply from the wild coastlines of the Scottish Highlands and islands, she creates pieces that feel both vast and intimate—quiet studies of light, movement, and memory. Each work is an invitation to pause, to breathe, and to return to something older than ourselves.
Her large-scale photographic works are known for their immersive quality—expanses of soft cloud, shifting water, and distant horizons rendered with a painter’s sensitivity. There is a timelessness to the process—layer upon layer, patiently built, finished with luminous resin that holds light
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The Space Between Mountains
Lynne Douglas
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