Not currently available for saleThis piece is currently reserved (either by a client or for an exhibition...).Get notified when it becomes available again.
Thank you very much for your interest!
Your message has been sent successfully! We will get back to you if the artwork becomes available again.
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
39.4x39.4in
About this artwork
This artwork was part of a series. The other parts no longer exist. I can't explain why. Over time, only this one piece remained, and I transferred it to a stretcher frame. I primed the canvas with acrylic paint in a sienna tone. I saw it as a kind of apology to the other parts of the series that I had destroyed.
A large part of my creative process and my work will always fail, be lost forever—I've felt this from the very beginning. But failure… often gives me new impetus to continue. Failure always returns to the studio; and I encounter it as emptiness, as an imaginary space that gives me the opportunity to begin anew. I could say much more about this artwork. I used various materials, including acrylic, oil, epoxy resin, and pebbles: I recommend that everyone hold pebbles in their hands from time to time. Each one possesses its own unique character.
Avni Alija uses a wide variety of media, including oil, acrylic, sand, metal, and even wood and pebbles. He originally studied natural sciences and completed the "Paris School" at the Hamburg Academy. He combines impressionistic plays of light and shadow with impulsive abstract color dynamics and conceptual art, uniting diverse techniques into a curious, exploratory style. His works are a poetic search for meaning, an invitation to learn to see, and an expression of inner contradictions and existential depth.