Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
A burgundy-red background, glitter that absorbs light instead of reflecting it. The structure is vertical and hierarchical: at the top, two rows of three hominids each, arranged on overlapping shelves beneath an X surmounting them. In the center, a black veil drips downward in irregular smears—a dark flow that separates the two levels. At the bottom, a single hominid on a pedestal, alone, larger than the others, surrounded by that black fall.
It's… the most theatrical work of the series: there's a stage, a hierarchy, a clear separation between those above and those below. The black dripping isn't decoration—it's the boundary. The one below isn't excluded: it's exposed.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.