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Patrick Piccinelli
Switzerland
Artist highlights
- International Exposure
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Patrick Piccinelli
Artwork details
- Medium : Acrylic, Collage on Paper
- Framing : Framing on request
- Dimensions : 12.8x12.8in
About this artwork
This work is inspired by the title: When Will The Blues Leave? by Ornette Coleman.
Visual structure: a grammar of the fragment
The composition is based on four cardinal blocks—black, white, cerulean blue, Klein blue—separated and traversed by fine, taut, slightly oblique lines. It is not a rigid grid: the blocks are not perfectly aligned; there are shifts, glides. The paper itself remains visible, like an active silence, a breath between the masses.…
This is the logic of Coleman's free jazz: autonomous melodic cells that coexist without submitting to a central tonality. In When Will The Blues Leave? (album The Shape of Jazz to Come, 1959), Don Cherry's line and Ornette's saxophone sometimes seem to play alongside each other — not in opposition, but in a parallel freedom.
Visual structure: a grammar of the fragment
The composition is based on four cardinal blocks—black, white, cerulean blue, Klein blue—separated and traversed by fine, taut, slightly oblique lines. It is not a rigid grid: the blocks are not perfectly aligned; there are shifts, glides. The paper itself remains visible, like an active silence, a breath between the masses.…
This is the logic of Coleman's free jazz: autonomous melodic cells that coexist without submitting to a central tonality. In When Will The Blues Leave? (album The Shape of Jazz to Come, 1959), Don Cherry's line and Ornette's saxophone sometimes seem to play alongside each other — not in opposition, but in a parallel freedom.
Patrick Piccinelli
Switzerland
Credentials
- International Exposure
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« My research takes the direction of "parasitic" minimalism. I claim the expression of a rigorous geometric structure endangered by the soft and hazardous trace of the brush. »
Originally from the tranquil scenery of Switzerland, Patrick Piccinelli set forth on an enriching academic journey that took him to the distinguished corridors of ECAL (University of Art and Design, Lausanne, Switzerland), a stronghold of artistic brilliance on the global frontier. The respected tradition of flawless typography for which Switzerland is famed, coupled with the deep-seated influences of Swiss graphic design, known for its austere, minimalistic, and refined aesthetics, significantly guided Piccinelli’s artistic path. His palette is firmly rooted in geometric minimalism, a stylistic reverberation reminiscent of the illustrious “Zürich movement.” This era of artistic zeal was pioneered by notable figures such as Max Bill, Richard Paul Lohse, and Verena Loewenberg, luminaries who were the frontrunners of geometric or constructed artistry. His works have recently been acquired by collectors in the United States, Japan and Europe.
They bought an artwork from this artist
"I'm so happy I chose Patrick's work, it's beautiful, even more so when I had it in front of me. "
An Art Lover, purchase made in October 2023: ""The Beauty Of Wood In Ashes"", Acrylic, Spray Paint on Paper , 19.7x25.6in
Patrick Piccinelli
"When Will The Blues Leave ?"
$1,890
