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This work comes from the automotive industry.
The two transparent planes, parallel and concave, rise vertically. They are 6 cm apart from each other.
This space and the shape of the volumes reveal the superposition of shades of green.
These are tempered glasses, from the automobile industry, tinted green in the mass, and produced using the “Float” process.
The curvature of the glass surfaces is… obtained by annealing the translucent material.
Between the two translucent blades, the artist poured two banks of calcine saturated with casting resin, tinted in the mass, one in the lower part in purple and the other, higher up in emerald color.
On the surface of these broken glass, six high-power LED lamps sparkle through the tinted beams.
Philippe Fares is a contemporary French artist whose career has been profoundly shaped by the diversity of cultures and the interaction of art and science. His unique perspective, sharpened by a childhood spent in sub-Saharan Africa, is a testament to his early exposure to the art world, particularly to the influence of primitive arts. Returning to France at the age of 16, Philippe embarked on a path that allowed him to cultivate his understanding of Western arts while pursuing scientific studies.
Philippe Fares’ artworks are meticulously constructed using scientific methods and careful planning. His creations often feature a recurring tiling pattern, a meticulously balanced play with chance. This synthesis of meticulous design and the unpredictability of chance gives his works a dynamic and intriguing quality.