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Inspired by the iconic Cycladic figurines created in the Aegean islands during the Early Bronze Age (c. 3200–2000 BCE), this work reinterprets one of humanity's earliest sculptural forms. The original meaning of these figures remains uncertain. Most have been discovered in graves, suggesting associations with death, remembrance, fertility, and the cycle of life. Their enduring presence across millennia speaks to humanity's continuing search for meaning… and our relationship with the world around us.
In this sculpture, I fill the ancient form with discarded computer components—fragments of a rapidly obsolete digital culture. Encased within the figure's body, these remnants of technological consumption become a powerful metaphor for the growing global crisis of electronic waste . By merging an ancient archetype with contemporary technological debris, I invite viewers to consider the hidden ecological costs of modern life and our responsibility toward a more sustainable future.
Pierre Leichner, with a background rooted in both medicine and fine art, works across sculpture, painting, installation, BioArt, and video, blending scientific inquiry with poetic sensibility. His technique embraces organic materials, layered abstraction, and time-based processes, often inviting natural phenomena as collaborators. Playfulness and surprise give way to deeper ecological and socio-political meaning through engaging participatory works. Pierre’s art evokes vulnerability and resilience while inspiring reflection and a profound sense of interconnection between humanity, nature, and community.