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A figure rises from a field of golden light — half shadow, half apparition. The Rite captures a moment suspended between emergence and disappearance. As the form dissolves and reforms, it suggests ritual, movement and transformation without ever becoming literal.
Part of the Mythos Series, this work begins as a painted surface. Through close observation and shifting light, the camera uncovers the energy within the material. The photograph feels… alive — glowing, breathing, changing as you stay with it.
It invites slow looking. A quiet tension between darkness and radiance creates the sense of something unfolding just beyond the visible.
Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work — soft, textured, and rich in depth. Available in four sizes.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images originate in layered painted surfaces, captured in extreme close-up and translated into tactile giclée prints where color, light, and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm, and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates lens-based images that resist narration and invite sustained looking — remaining in the moment before meaning settles.
Influenced by Turner, Rothko, and Richter, as well as the Japanese aesthetics of yūgen and ma, his work unfolds slowly, revealing new nuances over time and sustaining attention beyond the first glance.
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The Rite
Eric Rugers
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