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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
39.4x39.4in
About this artwork
Adam has left Paradise and his place is gratefully received by a very temperamental Adam-a.
The rib, tired of being an appendage, has taken on a body, a name, and a main seat.
Eva no longer accompanies the first man: she converses with her double, her accomplice and her replacement.
The rose replaces the apple and turns the fall into a pact of mischievous gardeners.
The snake, fallen on hard times, resigns itself to being a domestic lizard amidst… so much carnal authority.
Here, original sin is not born from disobedience, but from a shared laugh.
The flesh is displayed without guilt, like new writing on old doctrine.
Eden, rather than expelling them, seems to protect the joke and close the door to the patriarch.
There is no true Adam, but his void filled with brazenness and perfect naturalness.
And the red of the rose commands, small but sufficient, as a decree of joy and substitution.
Eusebio San Blanco explores art using oil and tempera techniques, and his teaching experience in anatomy is reflected in his mastery of figurative art. His style is a tapestry of contemporary figurative expressionism, nourished by traditional techniques and glazes that evoke profound emotions. His works are a vibrant dialogue between form and feeling, inviting introspective contemplation.
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ADAN-A-EVA
Eusebio San Blanco
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