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The hominids that have populated Cecconello's research for decades here change their arrangement and meaning: no longer pigeonholed in serial rows, but arranged in a circle, one beside the other, in a rotation that has no beginning or end. The archetypal human figure—always the same, always faceless—becomes an element of a secular mandala, a form of collective and anonymous prayer.
Purple in all its shades—from almost white lilac to deep blue-violet—dominates… against a calming sage green background. The material is crafted with uncommon precision for Cecconello: each figure is distinct, almost engraved, like the beads of a rosary or the tiles of an ancient mosaic.
A collected and powerful work, which takes the Hominids cycle towards a spiritual dimension rare in his catalogue.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.