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In "Spank Rock," which I created in 2015 using posters torn down in Paris and acrylics, I wanted to create a female figure that is both strong and ironic. By assembling these urban fragments, I question the place of women in our society: she holds a broom, a symbol of domesticity, but her attitude and gaze are resolutely assertive. The slogan "LIBERTY EQUALITY," partially erased, reflects, in my opinion, the gap between ideals and lived reality.… The title "Spank Rock" plays on provocation and humor, inviting an energetic and irreverent change, far from masculine conventions. Finally, the presence of the blue animal in the bottom left embodies the masculine influence, lurking in the shadows, which the woman seems to sweep away to emancipate herself. My collage thus subverts advertising and political codes to celebrate a woman who is the actor of her own destiny, in a rock and roll spirit.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.