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The Sound of the Mountain 2
Oil on Masonite | 36 x 12 in. (Framed 38 x 14 in.) | 2020
With The Sound of the Mountain 2, I was working on a meditation on silence, scale, and presence. Executed entirely with a palette knife, this horizontal composition captures the immensity of a wintry mountain range, rendered in bold impasto and layered tonal fields. Thick, sculptural strokes give the ridgeline a tactile weight, while the misted foreground evokes… a veil of stillness, suggesting both physical and psychological distance.
Subtle accents of blue and violet break the dominant monochrome palette, guiding the eye without disrupting the terrain’s solemn rhythm. There is a quiet emotional tension here: the push between abstraction and landscape, motion and stasis, presence and echo. The work invites viewers to step into a space where natural forms speak softly but resonate deeply—an invitation to listen not just with the ears, but with the body.
Though I am creating art, I am evoking an emotion. This has guided fifteen years of practice. Bob's work prioritises the felt experience over representation, capturing atmospheric depth that moves between tranquillity, longing, and awe. You do not simply look at these paintings. You enter them. Working with a knife, his self-taught mastery of Impasto produces surfaces that are sculpturesque, tactile, and alive. Expansive paintings and intimate miniatures share the same driving force, a sense of place that is as much interior as it is geographical. Landscapes and seascapes become the language. Emotion is what they say. In his seventh decade, Venafro has arrived at Ipseity, absolute selfhood, hard-earned and uncompromising. Drawing from a life in finance before the knife became his primary language, he brings something rare to the canvas. The story he is painting is his emotion. And yours, to discover. I'm discontinuing my signature on the front of the work. www.venafrobob.com