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This work was born from a clear vision: Golgotha, the place of the crucifixion, is not only a sacred episode but a universal symbol.
The arms and legs recall the three crucifixes, but instead of bodies there are human figures, all the same, pigeonholed: the contemporary man, depersonalized, sacrificed every day in a society that wants him to conform.
The sculpture stages a collective pain, where the sense of martyrdom shifts from the individual… to the mass.
It is an invitation to reflect: on what we have lost, on who we have become, on what redemption we can still seek.
Gastone Cecconello (Vercelli, 1942) is an Italian artist with over fifty years of activity. His research develops through painting, sculpture, and mixed media, constructing a coherent and recognizable language based on symbolism, matter, and the figure of the hominid as a metaphor for the human condition. His work explores the relationship between the archaic and the contemporary, between memory, myth, and everyday reality, maintaining a constant tension between formal rigor and expressive force. In 2013, the monograph Alle origini del mito, edited by Lorella Giudici, was published, critically retracing the artist's entire career.