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If it's difficult not to have encountered the "mask of Agamemnon," that of Tutankhamun would be practically impossible. Equally disturbing and mysterious, it encapsulates all the evocative beauty of Egyptian civilization. Like that of Agamemnon, I was fascinated by it and wanted to recreate its relief. It is another of the five synthetic plaster bases with which, together with my friend Antonio Bruscella, an abstract painter, I am creating the micro… hybrida series, modern works that are based not only conceptually, but concretely, on European/Mediterranean art. Abstract, yes, but rooted in our culture. This is the prototype created at the end of March 2025, and exhibited at several events in Milan with artist friends from the "Montmartre della Martesana" and "Ponte dell'Arte" groups, and in Basilicata, including at the Provincial Archaeological Museum of Potenza in the presentation-exhibition of the Hybrida project at the end of December 2025.
I was born in Italy in 1954. In Naples in the 1970s, amid university life and social unrest, I worked as a cartoonist for trade union publications. In Potenza in the 1980s, I began my journey into color, with a figurative-realistic spirit. In 1996, back in Naples, I joined Esasperatismo, an artistic movement with which I participated in international events. In 2011, I settled in Basilicata and resumed sculpture, spending time with ceramicist friends. Today I work exclusively on commission, on projects of any nature and size, which I only share if I find some interest in them. The rest of my time is spent playing, inventing, thinking, teaching, letting go of anything that tires me mentally. I love living in Basilicata and when I have the chance, I host events everywhere.