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The large, thin section of a mighty oak tree, with its silhouette and its rough sawn textures, served as the starting point for finding the form. The nose-like cantilever on the right side of the sculpture is evidence of a branch cantilever of the blank. In this object, too, random traces of the rough sawing force are picked up and worked out in rhythmic repetitions and spiral-shaped textures with very fine tools. So-called grid openings are created… through targeted cuts on the back that cross the saw lines on the front. The visual lightness of these openings gives the hanging object an airy elegance. This work also celebrates the synthesis between violent influence and the finest, minimally invasive elaboration. The name simply expresses what the artist sees.
Olli Marschall works primarily with wood as a medium, occasionally combining metal and resin, and has a rich background in painting and sculpture. His technique is characterized by abstract, intuitive, and carefully planned processes, using tools such as chainsaws with virtuosity and drawing skills. His sculptures combine raw traces of work with harmonious structures and an innovative use of leftover materials. Marschall's works exude lightness, carelessness, and a childlike wonder, inviting the viewer to curious discovery on multiple levels.