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In these uncertain times, when the horizon wavers and exile sometimes seems like an answer, the violin remains the traveler's instrument. It slips into every departure, light and faithful, carrying within it the echo of lands left and dreams swept away.
This violin, diverted from its musical function, becomes a sculpture carrying symbols and history.
Front: the instrument transforms into a precious offering, adorned with arabesque angels and flowers,… between rococo exuberance and mystical meditation.
Back: the pearl embroidery forms a silent, almost sacred language, evoking the lace of yesteryear, and the invisible scores that we carry within ourselves.
It is no longer a violin: it is a poetic work, an extension of the inner voice, the one that we only hear when we are silent.
A “jewel-like work” that is not played, but contemplated — and resonates differently.
Messodie, self-taught, from the field of communication, today expresses his artistic soul through plastic art.
Fascinated by feminine curves and in love with 18th century fashion, her "mixed technique" combines the collage of fabrics and lace with painting, resins and gilding, in a reinterpreted baroque style.
She uses mannequin busts and violins that evoke the female body and transposes her baroque universe into it.
Each piece is a declaration of love for feminine materials and curves, an emotional celebration adorned with gilding, angels, lace, and precious fabrics.
She invites you to discover Her Feminine Baroque Art!