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I present the bronze work Donna Conica as a synthesis between figuration and abstraction. The female figure, while recognizable in its essential features, is subjected to a process of geometric stylization that enhances its symbolic rather than descriptive value. The profile of the face and the long, conical, spiraling structure pointing forward suggest dynamism and projection, like a mental or spiritual extension of the figure itself, a sense of… ancestral memory, evoking ritual forms and ceremonial headdresses of ancient civilizations. The choice of bronze, the carefully crafted surface, and the patina lend an aura of mystery and sacredness, but also a moment of metamorphosis or liberation. The work is suspended between balance and momentum, stillness and impulse; it reveals an image of powerful yet meditative femininity.
Antonio Mastrorocco uses bronze, marble, terracotta, resin, wax, and oil on canvas, drawing on extensive training with great masters and decades of artistic teaching. He alternates figurative and abstract with masterful technique, favoring bas-relief and in-the-round, blending architecture, anatomy, and color in harmonious balance. Through dynamic forms, light, and passion, he conveys emotional depth and the message that art and culture can change how we view the world.